What is a climax in music? A high point is essentially the most intense and exciting part of a sentence. It is not necessarily the highest or the strongest voice, but it is more evident in a cycle of a service or a section of the musical phrase. There is always a beginning, a climax and an end. The highest point can occur anywhere between the beginning and the end of the cycle, but usually occurs in the middle.
To really understand what is a salient point of the cycle, it takes someno musical examples. Let the rice, for example. While you ride, they hit a point where laughter is the most stressed in the rule, below, followed by a sort of breathlessness (particularly in the case of swimming depth) and wind. The emphatic part is the climax. Another example would be drinking a glass of water. In the real movement of the glass, from a point in space will be the 'other when the soil reaches its highest point, makes technicalthe peak of the cycle. A third example would be, say, a party or an event of some kind, it can take months to plan, but when the day arrives and the ceremony is done, this is the culmination of the cycle.
Music Hit
As a musician, playing several groups in a particular piece of music, hit several high points. This actually varies from performer to performer, and is perhaps one of the distinguishing characteristics of a musician. Since the music is not just some mechanical means and includesSense and Sensibility, the emotions, the determination of the peak and make it a human element is more than "just a mechanic" element. E 'therefore an essential aspect of the musical performances of any kind is unfortunately too often overlooked, causing the music is mostly mechanical "performance" does not make sense, give the listeners, and in fact violate the principle!
So how can a player to solve or improve? E 'Two movements that we do to help you get a sense as possible of this. They are not only involve theoretical, but actual practice by Ness. Try it if you are a musician or not. First, rotate the hand so the palm up and make a fist. While listening to a sentence of performance gradually and slowly open your hand, stretching up to the climax in this sentence wherever you personally perceive to be the peak year. Your hand should be completely open and you shouldsee the palm of the hand when the peak occurs. Then slowly close the fist-shaped hand again as the cycle ends the block after its peak. Repeat this procedure is the same phrase over and over again until your move in tune with that cycle peak. Try this with other series until you can easily hear it.
The second movement is "how well". This movement, before getting up. Take a sentence and when they hear, slowly and gradually raises theArms above his head like a fountain. Your arms should be extended to the ceiling if there is the highest point. Then let go of the arms so that the conclusion of the subsequent cycles of the sentence. This action also repeat the same phrase over and over again until the movement is in sync with the climax of the piece. Try this with other sentences.
In this way, these two movements (especially the "as" one), you actually reach a higher consciousness forHigh Point, and if you're a musician, this is a significant improvement in their ability to perform technically and emotionally, no matter what level you are. Please note, only you do understand this fact, these movements, not only to listen. This is very important. For example, you can explain what they want, what to taste an apple, but if you ever eaten one, you'll never really understand the taste. Now apply the same philosophyAmazon.de. It 'important to actually do a.
This is all part of a philosophy as "physical education" or "body in performance", developed by Dr. Alexandra Pierce, Professor Emeritus, University of Redlands, I have studied with well-known. Physical education embodies the various aspects of music (phrasing) in a physical, kinetic form of the instrument. The results are more meaningful indicators of performance, as the music is more dramatic, with the helphis whole being and not merely a sense of feeling.
Evelyn Simonian
© 2010. Evelyn Simonian
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