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Though not too deep dives in a declaration of dub, I will start with a simple definition. From Dub, I mean, the unique style of Jamaican music remix, where the vocals are largely removed, a good policy of reverb and delay (ECHO) are instruments used for the battery (especially the hi-hats and snares ) and the rhythm and lead, random sound effects are introduced, and overall the song is done to influence the way Guinness space and high quality soundpsychedelic interpretation, if someone accidentally raised the low +10.
Incidentally, Trini and Eastern Caribbean folk use the term Dub what we would call in Jamaica Dancehall concern ... not sure why as the dining hall.
So without further ...
The Seducer Dub Wise (Hit Bound) 1982
What to do in this record, I do not say the press cover? A production with Channel One Dub engineer extraordinary Scientist (HopetonBrown), some extra-heavy reworking title Roots Radics. The abuser is a classic example of focus and no-frills roots-dub to drum and bass, snappy short delay on the snare and teases out the eco-fragments of vocals and guitar and keyboards.
Outstanding tracks include "Bedtime Rock," a reversal of bass-driven Frankie Paul "worries In The Dance" (Channel One of the original version, not the latest), "Midnight Special" (Frankie Paul, "Slave Driver" on the "Darker Shade OfBlack Riddim), "Rough Rider" (perhaps Horace Andy) and "Mr. Special" (Don Angelo is the singer, but I do not know the original length).
Oh, this album is not on the (legal) download world yet, but you can still snap it from Ernie B's Reggae, eBay or your indie music store of choice. However, you can standout buy the original version of "concern in the Dance" from Amazon or Apple's iTunes Store.
From Britain comes incursion reggae super-group Aswad in Dub-ANew Chapter of Dub is actually dub versions of most of their 1981 CBS album New Chapter (clever eh?). This is not the poppy sound later Aswad knows from "On And On," "Fire" and "Do not Turn Around", but that is their style of foundation is deeply rooted, the Sub-roaring sound coming from the basement flats in Brixton Although the National Front, and Maggie's Farm (from The Specials not Dylan).
Mixed by Michael "Reuben" Campbell (not to be confused with Michael "Mikey Dread"Campbell), this album explores more sumptuous musical soundscape that the typical Jamaican dub. The trace of lead "Dub Fire" is a subwoofer that destroy take Aswad Love Fire, "a track that also achieved popularity as the momentum behind anthem" Dennis Brown's "Promised Land" (if you like "Love Fire" must Discover also the live version on Live and Direct Aswad album and pseudo-Dub version is available on the soundtrack as Countryman "Mosman prostitute" and an additionalNote, the "Mosman" for the purposes of this title is actually the old fear, which is currently selling hubcaps at the Barbican in Kingston Square and also played the character of the same name Countryman).
"Bamm Blow" took the horn parts of the original track of the moment, "We do not know the" time, and displays on a solid foundation of drum and bass, while "Zion I", a similar approach with the edge of the flute, "Zion" and adds a healthy dose of hand-out called. Two more shots Aswad,"African Children" and "Natural Progression" are more traditional dub mix-up to "Ghetto In The Sky" and "natural progression".
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